film anyone could call a romance. The Boss, an extravagant teenage girl’s birthday party—but its beating heart is engaging—a testament to Arnold’s direction. “American Honey,” long and messy as it is, is by turns observant and exuberant, and sweet in a way that is both unexpected and organic. much as living in the moment. The only conditions are that she will work hard and that no one will miss her. Last modified on Wed 21 Mar 2018 23.58 GMT. Cannes Review: 'American Honey' Proves Andrea Arnold is One of the Best Working Filmmakers and Finds a Breakout Star in Sasha Lane Eric Kohn May 14, 2016 5:59 pm "American Honey" is repetitive, bombastic, overlong, and filled with unlikable characters, and most of the repetitiveness comes from these characters constantly listening to and singing to rap music in their white van. Movies: American Honey; Teenager Star (Sasha Lane) leaves home to travel around the US with a group of … American Honey; American Honey Review. Like Shia LaBeouf’s door-to-door salesman Jake, who prides himself on becoming whatever his customers desire, Andrea Arnold’s fourth feature as writer-director is whatever you want it to be. Using Honey. American Honey review - Shia LaBeouf has never looked worse or acted better 5. “So you’re a southern girl,” says steely crew-manager Krystal (Riley Keough, channelling her grandfather Elvis Presley’s moody stare), “a real American Honey like me.” But with Jake the object of both their attentions, relations will never be sweet between Star and the girl in the Confederate flag bikini. The breed of amoral nihilists that Arnold finds so … ADV Nevada. an inevitable bit of a love story between Star and Jake, although it’s not a Great song Helpful. Arnold’s “American Honey” its name: “Steady as a preacher/Free as a weed/Couldn’t It often Report abuse. At almost 165 minutes, American Honey is a long watch, and can be difficult when the plot seems to lead nowhere, but I'll always consider a new experience a worthy experience. Love this song! And it is a film in which of those teenage years that’s hard to capture on film—a sense of constant Some may see this journey as bleak, but it’s The Wizard of Oz and Star Wars that (g)litter these kids’ dreams, placing a yellow brick road beneath their feet, a distant Death Star above their heads, and a tough but tender sweetness in their hearts. leaders of the group, who travel the country selling magazines door to door. that it would hamper a film that could have so easily taken advantage of the They really just do it enough to get food and lodging so they can keep doing Save Sasha Lane in Andrea Arnold's American Honey. There’s a lot of sky in American Honey, a sense of expansiveness that marries shallow-focus closeups of pierced and tattooed skin with breathtaking vistas that seem to sweep upward towards the stars. Later, the call-and-response of E-40’s Choices (Yup) soundtracks a bonding car-park ritual, while a singalong to the Lady Antebellum song from which American Honey takes its title echoes the glorious Tiny Dancer sequence from Cameron Crowe’s Almost Famous. Even when they stop at a motel to break, they use a rich, complex performance. grilling meat by a pool, oil fields blazing at night, a trucker listening to Brian Tallerico is the Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. Partly inspired by a 2007 New York Times article about the brutal on-the-road existence of “mag crew” kids, American Honey revisits many of the themes that have haunted Arnold’s work since the days of her Oscar-winning 2003 short Wasp – social inequality, dangerous attractions, defiant spirits. It was first released in 2011 and is bottled at a pleasant 35 … Arnold shoots “American Honey” in her typical full-frame people, led by a flirtatious Jake (Shia LaBeouf), offer a way out for Star. It 1.33:1 style and it creates a visually fascinating aesthetic. It’s often a push and pull between what we gives him a detailed back story, one can sense that LaBeouf created one. going somewhere, anywhere other than here. chance to escape her unhappy home life. the country. There’s an energy to the hazy days The box to the left details the price history for the product and the number of price changes that have occurred in recent history. eventually Star as he probably senses his youthful days are coming to an end. There is no yesterday, there is no today, there is only moving forward to Lane herself was on a beach-bound spring break in Florida when she caught Arnold’s eye. American Honey Review By Rich Cline British filmmaker Andrea Arnold follows her acclaimed arthouse hits Fish Tank and Wuthering Heights with a road trip across the American West. For the sake of this review, let’s use Amazon as the place to test Honey. In AMERICAN HONEY, Star (Sasha Lane, making her movie debut) is an Oklahoma teenager charged with looking after two younger half-siblings. ‘American Honey’ Review: Teens Run Wild, Shia LaBeouf Gets His Comeback Messy, magnificent road movie is all over the map – and blessed with two amazing performances Een ‘American honey’ is een lief en aantrekkelijk meisje dat de waarden van het burgerlijke Amerikaanse voorstadleven uitstraalt – een soort ideale schoondochter, kortom. Wrapping you around its finger via its excellent soundtrack, unique camera work, and its essence as a film, American Honey is a harsh and truly exhausting film to watch for nearly three hours, but is an excellent slice of Americana and the underbelly of the nation from Brit Andrea Arnold. The latter title's U.S. distributor, A24, also has domestic on American Honey, which will require creative marketing to overcome the challenges of … tomorrow. ike Shia LaBeouf’s door-to-door salesman Jake, who prides himself on becoming whatever his customers desire, Andrea Arnold’s fourth feature as writer-director is whatever you want it to be. wait to get goin’/But wasn’t quite ready to leave.” This brilliant European This is a not a film tied to plot. American Honey is a warm-toned mood board of the American lives we rarely see portrayed in cinema; small towns, motel rooms, and Mountain Dew. American Honeyis a raw portrait of poverty and undereducation that you are surprised to discover is written and directed by an English woman in her mid-fifties. for strong sexual content, graphic nudity, language throughout, drug/alcohol abuse-all involving teens. This group of smiling, jumping, dancing want to do and what we’re ready for, as phrased in the song that gives Andrea phenomenal work captures that propulsive teenage trait as well as anything in It embodies the spirit of a social network, with its beautiful imagery but also with the kinds of things it decides to … With Sasha Lane, Shia LaBeouf, Riley Keough, McCaul Lombardi. tune, almost one line at a time, until they are all together—multiple voices in the chance to dance in the parking lot. Dus alles wat Star niet is, met haar tatoeage, haar dreadlocks en haar te wijze gezichtje voor haar leeftijd. Somehow, this frame creates a safe environment for the cast, many of whom are first-timers picked from shopping malls and skate parks. It is not so much unstructured as structure-less. It is a spirit created by the whiskey makers at Jack Daniel's, made with real honey and their famous Old No. speeding down the freeway. An essential element of youth is movement. Since it is blended with honey, Tennessee Honey is technically a whiskey liqueur. In an unforgiving world she is a nurturing presence, constantly saving the omnipresent insects that fall into water and fly into windows, struggling to protect the firefly spirits that thrum throughout the drama. For me, however, this is Arnold’s best work since her 2006 feature debut Red Road, an electrifying odyssey which mixes the vérité grit of Ken Loach’s sociopolitical parables with the awestruck natural beauty of Terrence Malick’s rural cinematic dreams, all filtered through the eyes of an irrepressible heroine whose experiences are at once singular yet universal. the blue sky. We get the sense American Honey, the first American feature by British director Andrea Arnold, is a road movie that rambles all over the place. Whether it’s the wind blowing through Star’s hair as the minibus hits the highway, or bodies intertwined in the grass as salesmanship is briefly abandoned in favour of sex, there is epic intimacy amid the harsh poetry. Helpful. Preparations to Be Together for an Unknown Period of Time, Resident Alien Blends Humor, Heart into Effective Escapism, Jules Goes to Therapy in Her Own Special Episode of Euphoria, HBO's Painting with John is a Magnetic Celebration of Arts and Artists, The Nostalgia of Epix's Bridge and Tunnel is Filled with Wrong Turns. There’s something of Katie Jarvis’s Mia from Fish Tank about Star, a streetwise facade masking an empathetic soul. Jake Verified Purchase. In my review of The Revenant, I said that the film looked like Emmanuel Lubeszki’s Instagram in particular, but American Honey is Instagram at large. Tim Robey, Film Critic 13 October 2016 • 11:15am. Dazzled by the piratical, rat-tailed Jake (LaBeouf’s most convincing performance since 2006’s A Guide to Recognizing Your Saints), Star learns the tricks of the trade – the door-knocking deceptions, which at first appal her but gradually start to appeal. of community they have created and that they need so badly. makes her feature debut confidently, never feeling like she’s performing as American Honey sees one of Britain’s most exciting filmmakers muscle her way to the vanguard of global cinema. To others, it’ll be a modern-day. keeps us with our characters instead of visually wandering the landscape. Arnold takes a group of outsiders, and without looking down on them, presents them to us exactly as they are, flaws and all. exaggerated imagery of the heartland of the United States—men in cowboy hats Directed by Andrea Arnold. “American Honey” is a movie that takes the temperature of youth culture in a way that no movie has in years. Quickly, she encounters a group of teenagers in a nearby mega-store and sees a follows Star on adventures in the magazine sales trade, bringing her back to who are improvising much of their dialogue, and they’re all natural and To others, it’ll be a modern-day Easy Rider, a post-Larry Clark/Gus van Sant youthsploitation adventure in which “we explore America, we party – it’s cool”. often shoot their teenagers from below, casting them larger than life against American Honey looks like one of those shiny Oscar bait movies from afar...but how does it look up close? 7 Tennessee Whiskey. it. in a story of youth. She learns that Jake is one of the 5.0 out of 5 stars American Honey. Rated R that he’s worked with a few Stars along the way, and while Arnold never explicitly Most of the supporting cast appear to be non-professionals There are scant few traditional narrative elements to “American American Honey is an immersive, hard-partying ride across the American heartland The director of Studio Ghibli's The Red Turtle went deep into the origins of the film at TIFF View all 31 stories We meet Star (Sasha Lane) in a dumpster, looking for food. What are we doing when we get there? The real find here is Lane, who Yet with its dappled sunlight and crystalline lens flare, Arnold’s first film set outside the UK also mixes in elements of what she calls the “mythical America of westerns and road movies”. Where are we widescreen vistas of the heart of the country, but it’s effective because it Verified Purchase. Where they’re going to take her isn’t as important as the idea that they’re played in their entirety. Andrea Arnold’s Andrea Arnold’s tough but tender road trip with a busload of young magazine sellers is dazzling. American Honey’s ending is ambiguous. And Arnold and cinematographer Robbie Ryan As thumping hip-hop blares from the bus, American Honey reveals its true roots in the dreamy fantasias of the musical. American Honey review – a magical mystery tour of the US Andrea Arnold’s tough but tender road trip with a busload of young magazine sellers is dazzling. couldn’t sit still—when hormones, ambition, and just the desire to see what was The real highlight of this film is undoubtedly its music. Review: ‘American Honey’ ... American Honey could, admittedly, have used more than a few cuts itself, but you can see why Arnold didn’t: this is a film about a journey, physical and figurative, without a destination and could never have been a tight 90 minutes. We first meet 18-year-old Star (a revelatory performance from screen newcomer Sasha Lane) scavenging for food in a bin while caring for two young kids. happy, they dance—Arnold’s film is filled with pop songs, many of which are Ultimately, “American Honey” is about motion—a van of kids going? When they sing along, they’re expressing the feeling Cinematographer Robbie Ryan shoots in the squarer Academy ratio, which has been Arnold’s signature since Fish Tank, but his superb use of the 4x3 frame makes the image seem taller, rather than narrower, than more popular widescreen formats. LaBeouf has a ragged energy. Sitting through 2 hours and 43 minutes of this film felt more like a chore than a … For some, this story of a teenage Texas girl finding her feet among a travelling group of magazine sellers will be a timeless coming-of-age tale, a young woman’s search for a room (or trailer) of her own. For some, this story of a teenage Texas girl finding her feet among a travelling group of magazine sellers will be a timeless coming-of-age tale, a young woman’s search for a room (or trailer) of her own. Sick of the predatory gropings of a drunken “Daddy”, Star leaves her charges with a recalcitrant mother and runs for the minibus that promises to take her away on $300 a day. He is also a writer for Vulture, The Playlist, The New York Times, and Rolling Stone, and the President of the Chicago Film Critics Association. people convey emotion more through action and music than dialogue. Jake may have got a gun, but it’s Star who knows how to handle one. Jordan Foley. In an early scene, Jake seduces Star from afar to the strains of Rihanna’s We Found Love, turning a supermarket into a disco in a sequence that rivals the vibrancy of the Diamonds dance from Girlhood. 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